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The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s.
Of all the counties in England, it is Sussex that appears to have drawn the greatest attention from folk song collectors over a period of some 130 years. [5] This was due to a flourishing tradition of folk dance, mummers plays (known in Sussex as Tipteers' or Tipteerers' plays) and folk song, but also in part because of the rural nature of the county in the late 19th and early 20th centuries ...
American folk music is a broad category of music including bluegrass, gospel, old time music, jug bands, Appalachian folk, blues, Cajun and Native American music. [ not verified in body ] The music is considered American either because it is native to the United States or because it developed there, out of foreign origins, to such a degree that ...
In the later decades of the 19th century, the music industry became dominated by a group of publishers and song-writers in New York City that came to be known as Tin Pan Alley. Tin Pan Alley's representatives spread throughout the country, buying local hits for their publishers and pushing their publisher's latest songs.
These styles included jug bands, honky tonk and bluegrass, and are the root of modern country music. Appalachian folk music began its evolution towards pop-country in 1927, when Jimmie Rodgers and the Carter Family began recording in a historic session with Ralph Peer (Barraclough and Wolff, 537). Rodgers sang often morbid lyrical themes that ...
[47] [110] [111] They present the first minstrel show with all the characteristics now associated with, thereby establishing that as the most popular form of musical theater in the 19th century. [27] [112] This is, for most northern whites, their first exposure to African American music.
The capital is home to the Folk-Song Society and the English Folk Dance Society since the late 19th century (now known as the English Folk Dance and Song Society), but the most distinctive genre of London music, its many street cries, were not considered folk music by mainstream collectors and were recorded and published by figures such as ...
In Louisiana, drums remained legal well into the 19th century. There, African slaves, many from the Caribbean islands, danced in large groups, often in circle dances.As of 1817, dancing in New Orleans had been restricted to the area called Congo Square, which was a hotbed of musical fusionism, as African styles from across America and the Caribbean met.