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In philosophy, emotions are studied in sub-fields such as ethics, the philosophy of art (for example, sensory–emotional values, and matters of taste and sentimentality), and the philosophy of music (see also music and emotion).
Emotion classification, the means by which one may distinguish or contrast one emotion from another, is a contested issue in emotion research and in affective science. Researchers have approached the classification of emotions from one of two fundamental viewpoints: [citation needed] that emotions are discrete and fundamentally different constructs
In psychological terms, positive pride is "a pleasant, sometimes exhilarating, emotion that results from a positive self-evaluation". [21] It was added to the University of California, Davis, "Set of Emotion Expressions", as one of three "self-conscious" emotions known to have recognizable expressions (along with embarrassment and shame). [22]
Affect (from Latin affectus or adfectus) is a concept, used in the philosophy of Baruch Spinoza and elaborated by Henri Bergson, Gilles Deleuze and Félix Guattari, that places emphasis on bodily or embodied experience.
Emotions are subjective experiences, often associated with mood, temperament, personality, and disposition. Articles about specific emotional states should be placed in Category:Emotions or one of its subcategories.
The first published English grammar was a Pamphlet for Grammar of 1586, written by William Bullokar with the stated goal of demonstrating that English was just as rule-based as Latin. Bullokar's grammar was faithfully modeled on William Lily's Latin grammar, Rudimenta Grammatices (1534), used in English schools at that time, having been ...
The word angst was introduced into English from the Danish, Norwegian, and Dutch word angst and the German word Angst. It is attested since the 19th century in English translations of the works of Søren Kierkegaard and Sigmund Freud. [1] [2] [3] It is used in English to describe an intense feeling of apprehension, anxiety, or inner turmoil.
Ecstasy (from Ancient Greek ἔκστασις (ékstasis) 'outside of oneself') is a subjective experience of total involvement of the subject with an object of their awareness.