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  2. Ethiopian chant - Wikipedia

    en.wikipedia.org/wiki/Ethiopian_chant

    Ethiopian liturgical chant, or Zema, is a form of Christian liturgical chant practiced by the Ethiopian Orthodox Tewahedo Church. [ 1 ] [ 2 ] The related musical notation is known as melekket . [ 3 ]

  3. List of Niyabinghi chants - Wikipedia

    en.wikipedia.org/wiki/List_of_Niyabinghi_chants

    The rhythms of these chants were eventually an influence of popular ska, rocksteady and reggae music. Niyabinghi chants include: "400 Million Blackman" "400 Years" (its lyrics influenced Peter Tosh's "400 Years") "Babylon In I Way" "Babylon Throne Gone Down" (arranged by Bob Marley to "Rastaman Chant" in 1973) "Banks of the River" "Behold Jah live"

  4. Ma'oz Tzur - Wikipedia

    en.wikipedia.org/wiki/Ma'oz_Tzur

    In this song Shemer drew a connection between the Jewish hymn and the military positions that were attacked in the War of Attrition of the time. Folk-rock band Blackmore's Night included a version of this song (as "Ma-O-Tzur") on their 2006 album Winter Carols, which includes the first verse in Hebrew followed by an adapted English translation.

  5. Magnificat - Wikipedia

    en.wikipedia.org/wiki/Magnificat

    The Magnificat (Latin for "[My soul] magnifies [the Lord]") is a canticle, also known as the Song of Mary or Canticle of Mary, and in the Eastern Orthodox Church as the Ode of the Theotokos (Greek: Ἡ ᾨδὴ τῆς Θεοτόκου). Its Western name derives from the incipit of its Latin text.

  6. Nusach (Jewish music) - Wikipedia

    en.wikipedia.org/wiki/Nusach_(Jewish_music)

    Jewish liturgical music is characterized by a set of musical modes.. The prayer modes form part of what is known as the musical nusach (tradition) of a community, and serve both to identify different types of prayer and to link those prayers to the time of year or even time of day in which they are set.

  7. Maafa - Wikipedia

    en.wikipedia.org/wiki/Maafa

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  8. Navajo song ceremonial complex - Wikipedia

    en.wikipedia.org/wiki/Navajo_song_ceremonial_complex

    The Navajo song ceremonial complex is a spiritual practice used by certain Navajo ceremonial people to restore and maintain balance and harmony in the lives of the people. One half of the ceremonial complex is the Blessing Way, while the other half is the Enemy Way ( Anaʼí Ndááʼ ).

  9. Olé, Olé, Olé - Wikipedia

    en.wikipedia.org/wiki/Olé,_Olé,_Olé

    Olé is a Spanish interjection used to cheer on or praise a performance commonly used in bullfighting and flamenco dance. [2] In flamenco music and dance, shouts of "olé" often accompany the dancer during and at the end of the performance, and a singer in cante jondo may emphasize the word "olé" with melismatic turns.