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Crucifixion by Orcagna, c. 1365, with very elaborate tooling.Fragments from an altarpiece, in a 19th-century rearrangement. Gold ground (both a noun and adjective) or gold-ground (adjective) is a term in art history for a style of images with all or most of the background in a solid gold colour.
Pichhwai (also pichwai, pichhavai, pichhvai, pechhavai etc), literally meaning 'that which hangs from the back' from the Sanskrit words "Pichh" means back and "wais" means hanging, are large devotional Hindu painted pictures, normally on cloth, which portray Krishna. [2]
A mandorla is an almond-shaped aureola, i.e. a frame that surrounds the totality of an iconographic figure. It is usually synonymous with vesica, a lens shape. Mandorlas often surround the figures of Jesus Christ and the Virgin Mary in traditional Christian iconography. [1]
Reredos depicting the Immaculate Conception.Portuguese, 17th century. Santarém, Portugal. A reredos (/ ˈ r ɪər ˌ d ɒ s, ˈ r ɪər ɪ-, ˈ r ɛ r ɪ-/ REER-dos, REER-ih-, RERR-ih-) is a large altarpiece, a screen, or decoration placed behind the altar in a church.
the most frequent and most artistic form is the combination of the simple frame and the truss-frame, from which spring the most varied combinations, as sometimes the simple frame encloses a truss-frame, or the reverse, or sometimes two truss-frames are combined with each other (combined frame);
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
The tympanums are carved with both religious and secular images, showing the head of Christ on one side and an eagle on the other. This shows how even without the inscription, Gothic tympanums still served to set a mindset for people who enter, reminding the (religiously diverse in the case of Spain) population of the importance of Christianity ...
This is self-evident, in one sense, but “religious pictures” refers to more than just a certain range of subject matter; it means that the pictures existed to meet institutional ends. The Church commissioned artwork for three main reasons: The first was indoctrination, clear images were able to relay meaning to an uneducated person.