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"Burning House" is a song recorded by American country music singer Cam. It was released on June 16, 2015, as the second single from her second album Untamed . Co-written by Cam along with Tyler Johnson and Jeff Bhasker , the song was inspired by a dream that she had about attempting to rescue her boyfriend from a house that was on fire.
Following is a list of popular music songs which feature a chord progression commonly known as Andalusian cadences. Items in the list are sorted alphabetically by the band or artist 's name. Songs which are familiar to listeners through more than one version (by different artists) are mentioned by the earliest version known to contain ...
"Keep the Home-Fires Burning (Till the Boys Come Home)" is a British patriotic First World War song composed in 1914 by Ivor Novello with words by Lena Guilbert Ford (whose middle name was sometimes printed as "Gilbert"). [1] The song was published first as "'Till the Boys Come Home" on 8 October 1914 by Ascherberg, Hopwood and Crew Ltd. in ...
"Beds Are Burning" is a 1987 song by the Australian rock band Midnight Oil, the first track from their album Diesel and Dust. This song was released as the second single from the album. This song was released as the second single from the album.
The song's lyrics are about an extramarital affair that John Lennon was involved in, as hinted in the opening couplet: "I once had a girl, or should I say, she once had me."
Like in 'I Want to Hold Your Hand,' I remember when we got the chord that made the song. We were in Jane Asher's house, downstairs in the cellar playing on the piano at the same time. And we had, 'Oh you-u-u/ got that something...' And Paul hits this chord [B minor] and I turn to him and say, 'That's it!' I said, 'Do that again!'
The song is characterized by a signature pattern played on a ukulele, [4] that follows a basic E 5 – B – C#m – A (I 5 – V – vi – IV) progression in the verse, tag and bridge, switching to an A – B – E 5 – B (IV – V – I 5 – V) progression in the chorus. The song's chord structure is arranged in an A B A B A B A form.
The song was used in the film House of Strangers (1949) when it was performed by Dolores Parker at the restaurant. In the 1950 film The Breaking Point, it was sung by Patricia Neal at the bar. In Lullaby of Broadway (1951), it was sung by Gladys George.
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