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Most Chinese music uses a pentatonic scale, with the intervals (in terms of lǜ) almost the same as those of the major pentatonic scale.The notes of this scale are called gōng 宫, shāng 商, jué 角, zhǐ 徵 and yǔ 羽.
The earliest music notation discovered is a piece of guqin music named Jieshi Diao Youlan (Chinese: 碣石調·幽蘭) during the 6th or 7th century. The notation is named "Wenzi Pu", meaning "written notation". The Tang manuscript, Jieshidiao Youlan (碣石調·幽蘭) The tablature of the guqin is unique and complex.
This concerto is written using the traditional 5-note technique (pentatonic scale). [2] The piece draws inspiration from Yue Opera for its melodies, chord structures, and patterns, and attempts to imitate the playing techniques of Chinese musical instruments, including the Erhu and Pipa.
The numbered musical notation (simplified Chinese: 简谱; traditional Chinese: 簡譜; pinyin: jiǎnpǔ; lit. 'simplified notation', not to be confused with the integer notation) is a cipher notation system used in mainland China, Taiwan, Hong Kong, and to some extent in Japan, Indonesia (in a slightly different format called "not angka"), Malaysia, Australia, Ireland, the United Kingdom ...
Some scales use a different number of pitches. A common scale in Eastern music is the pentatonic scale, which consists of five notes that span an octave. For example, in the Chinese culture, the pentatonic scale is usually used for folk music and consists of C, D, E, G and A, commonly known as gong, shang, jue, chi and yu. [14] [15]
The flutes play in the so-called pentatonic scale, in which octaves are divided into five notes—the basis of many kinds of music, including Chinese folk music. [6] [7] The fact that the flute has a scale indicates that its original players played music rather than just single notes. The flutes were probably used in some kind of ceremonial ...
A pentatonic scale is a musical scale with five notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations [ 2 ] and are still used in various musical styles to this day.
However, while elsewhere in China such modes are mainly defined by absolute pitch and by the degree of the pentatonic scale that is taken as the key-note (thus setting the intervals of the scale), the xianshi conception of mode, rather like the Indian raga system, includes motif, ornament and intonation. Pitch is not absolute but the scale is ...