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"Roadhouse Blues" is a song by the American rock band the Doors from their 1970 album Morrison Hotel. It was released as the B-side of "You Make Me Real", which peaked at No. 50 on the U.S. Billboard Hot 100 [5] and No. 41 in Canada. [6] "Roadhouse Blues" charted in its own right on the Cash Box Top 100, peaking at No. 76. [7]
The Complete Studio Recordings is a seven compact disc box set by American rock group the Doors, released by Elektra on November 9, 1999. It contains six of the original nine Doors albums, digitally remastered with 24 bit audio.
It was recorded at the Boston Arena on April 10, 1970, during the band's Roadhouse Blues Tour. The band performed two shows, one starting at 7 pm and a second scheduled for 10 but not actually starting until past midnight. Jim Morrison appears to be intoxicated during the entire latter show, and continued drinking heavily throughout the ...
Many shows were recorded during the band's 1970 Roadhouse Blues Tour to create the Absolutely Live album. The Doors' producer and longtime collaborator Paul A. Rothchild claimed to have painstakingly edited the album from many different shows to create one cohesive concert. According to Rothchild, the best part of a song from one performance ...
The album was mixed and mastered by long-time Doors' sound engineer Bruce Botnick. He had recorded several shows from the Doors’ 1970 Roadhouse Blues Tour on multi-track tape for the Absolutely Live album released in July 1970.
The Roadhouse Blues Tour was a 1970 tour undertaken by rock band the Doors. The group recorded many of the concerts which have been subsequently released through Elektra Records , Rhino Records and Bright Midnight Records .
An American Prayer is the ninth and final studio album by the American rock band the Doors.Following the death of Jim Morrison and the band's breakup, the surviving members of the Doors reconvened to set several of Morrison's spoken word recordings to music. [6]
The concert was four months into the band's 1970 Roadhouse Blues Tour. Vince Treanor, the Doors’ tour manager, recorded the show for the band on a Sony reel-to-reel machine using two microphones placed on the stage.