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Color grading is a post-production process common to filmmaking and video editing of altering the appearance of an image for presentation in different environments on different devices. Various attributes of an image such as contrast, color, saturation, detail, black level, and white balance may be enhanced whether for motion pictures, videos ...
Film look (also known as filmizing or film-look) is a process in which video is altered in overall appearance to appear to have been shot on film stock. [1] The process is usually electronic , although filmizing can sometimes occur as an unintentional by-product of some optical techniques, such as telerecording .
The colorization by Legend Films was designed to look like normal three-strip film but was then color corrected to match the two-strip look of the premiere's reenactment. Also in The Aviator, Scorsese used colorized footage of Jane Russell from the original black-and-white film, The Outlaw and dog fight scenes from Hell's Angels.
Tinting and toning continued to be used well into the sound era. In the 1930s and 1940s, some western films were processed in a sepia-toning solution to evoke the feeling of old photographs of the day. Tinting was used as late as 1951 for Sam Newfield's sci-fi film Lost Continent for the green lost-world sequences.
Color grading is vital to the film editing process, and is technology that allows editors to enhance a story. Acmade Picsynch for sound and picture coordination Today, most films are edited digitally (on systems such as Media Composer , Final Cut Pro X or Premiere Pro ) and bypass the film positive workprint altogether.
The resulting image appears washed out, requiring color grading in post-production, but retains shadow and highlight detail that would otherwise be lost if a regular linear profile had been used that clipped shadow and highlight detail. The feature is mostly used in filmmaking and videography.
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Color grading is done by varying the amount of red, green, and blue light used to expose the intermediate. The digital intermediate process uses digital tools to color grade, which allows for much finer control of individual colors and areas of the image, and allows for the adjustment of image structure (grain, sharpness, etc.).