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Sergei Prokofiev began his Violin Concerto No. 1 in D major, Op. 19, as a concertino in 1915 but soon abandoned it to work on his opera The Gambler. He returned to the concerto in the summer of 1917. He returned to the concerto in the summer of 1917.
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op. 43: Tres danzas en estilo popular argentino, for piano (1941) op. 44: Sonata no. 1, for piano (1941) op. 45: Las siete canciones de Amado Villar, for voice and piano (1941) op. 46: Concerto, for violin and orchestra (1942) op. 47: Golondrina (ballet in 3 acts, scenario from Leónidas Barletta), for orchestra (1942)
Violin Concerto No. 1 (for violin and string quartet) (1949) Violin Concerto No. 2 (1977–78, rev. 1980) Hans Pfitzner. Violin Concerto in B minor, Op. 34 (1923) Willem Pijper. Violin Concerto (1938–39) Walter Piston. Violin Concerto No. 1 (1939) Violin Concerto No. 2 (1960) Ildebrando Pizzetti. Violin Concerto (1944) Manuel Maria Ponce ...
Paul Kochanski advised Szymanowski on the fine point of violin technique during the composition of the concerto, and he later wrote the cadenza. The work is dedicated to Kochański. The likely inspiration for the concerto was Noc Majowa, a poem by the Polish poet Tadeusz Miciński. The concerto doesn't follow or duplicate the poem, yet ...
The retrospective assignment of "No. 1" to this concerto (and the consequent redesignation of the Violin Concerto Bartók composed in 1936–1939 as "No. 2") has met with some resistance, especially from Hungarian scholars and musicologists, on grounds that the composer had "annulled" this concerto, not only by excluding it from his list of ...