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This was the birth of the "top-end" style. Their breakthrough in this style has achieved local and international acclaim, with many beginners now being educated in this manner. This "top-end" style is often played on a smaller (14–15 inch) and deeper (4–6 inch) drum with a thinner resonant skin, prepared like the skin of a Lambeg drum. The ...
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A crowdy-crawn is a wooden hoop covered with sheepskin used as a percussion instrument in western Cornwall at least as early as 1880. [1] It is similar to the Irish bodhrán. [2]
Kevin Crawford. Kevin Crawford (born in Birmingham, England) is an Irish flute, [1] tin whistle, low whistle and bodhrán player. [2] He was born in England to Irish parents from Milltown Malbay, County Clare.
Christopher James Weddle (born 1983) is a bodhrán player and instructor. He has taught workshops nationwide including Mountain View Arkansas, the Dublin Irish Festival, SE Missouri State University, Westminster College and in his home town of St. Louis Missouri.
Rónán was born on 1 January 1970 and grew up as the second youngest of six boys in an Irish-speaking family in Sandymount, Dublin. He attended Scoil Lorcáin in Monkstown and at the age of 12 got his first bodhrán as a present from his mother, who thought that this might help him join the rest of his brothers who were excelling in singing and whistle playing.
Phillips was a proponent of the top-end style of bodhran playing and recognised in his field as an innovator. As a teacher he had a focus on the young players and along with others such as Junior Davey and John Joe Kelly is credited with having been responsible for a new breed of contemporary bodhran playing.