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The scale length of the octave mandolin is longer than that of the mandolin, and varies more widely, from 19 inches (480 mm) to 24 inches (610 mm), with 21 inches (530 mm) being typical. The internal bracing is similar to the mandolin and mandola, with a single transverse brace on the top just below the oval sound hole.
Fender has also built some 3/4-size student guitars with a scale length of 22.5 inches (570 mm) or shorter. Gibson uses a scale length of 24 + 3 ⁄ 4 inches (630 mm) on most of its electric guitars, including the ES-335, Les Paul, SG, Flying V, and Explorer. Gibson has used other scale lengths on various models through the years.
Octave mandolin scale length is typically about 20 inches (510 mm), although instruments with scales as short as 17 inches (430 mm) or as long as 21 inches (530 mm) are not unknown. The instrument has a variant off the coast of South America in Trinidad, where it is known as the bandol , a flat-backed instrument with four courses, the lower two ...
Hybrid of banjo and ukulele. Same tuning as a ukulele of the same scale. Banjolin: 4 strings 4 courses. G 3 D 4 A 4 E 5: Mandolin-banjo, Melody Banjo, banjoline, bandoline US Hybrid of mandolin and banjo but with only one string per course Banjo, Long Neck 5 strings 5 courses. E 4 B 2 E 3 G ♯ 3 B 3 "Pete Seeger" Banjo US (commissioned by Pete ...
The scale length is also within the standard mandolin scale; between 13 inches (330 mm) and 13 + 7 ⁄ 8 inches (350 mm). They advertised using scientific principles to create vibrations, power and volume as well as sustained sweet and mellow tones, all in the same instrument.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — — 17 equal ...
Most bluegrass mandolin players choose one of two styles. Both have flat or nearly flat backs and arched tops. The so-called a-style mandolin has a teardrop-shaped body; the f-style mandolin is more stylized, with a spiraled wooden cone on the upper side and a couple of points on the lower side.
The chart shows mandolinos as predecessors to the lines of mandolins, and possible points-of-blending of instrument features. [33] In one example on Timmerman's chart, makers of the mandolino (with bridge glued to the soundboard) blended it with the chittara battuta which had a floating bridge. The floating bridge was held to the soundboard by ...