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The foundation of Edo society was its stable social order, but changes to Japanese society over the next two centuries began to challenge the Tokugawa system. Increasing urbanization and rising consumerism saw wealth become concentrated outside of the samurai class, and their fixed stipends did not increase despite the rising cost of commodities.
Musicians and dancer, Muromachi period Traditional Japanese music is the folk or traditional music of Japan. Japan's Ministry of Education classifies hōgaku (邦楽, lit. ' Japanese music ') as a category separate from other traditional forms of music, such as gagaku (court music) or shōmyō (Buddhist chanting), but most ethnomusicologists view hōgaku, in a broad sense, as the form from ...
Min'yō, traditional Japanese folk song, must be distinguished from what the Japanese call fōku songu, from the English phrase 'folk song'. These are Western-style songs, often guitar-accompanied and generally recently composed, of the type associated with Bob Dylan, Peter, Paul and Mary and the like, and popular in Japan since the 1960s.
Jiuta, as well as nagauta, is a typical form of Utaimono (歌いもの, lyrical music) in traditional Japanese music. Jiuta traces its oldest origins to shamisen music, and is the predecessor of a number of later shamisen pieces, having greatly influence the development of the genre throughout the Edo period; it can be said that both jōruri ...
Compared to yūjo, whose primary attraction was the sexual services they offered, oiran, and particularly tayū, were first and foremost entertainers.In order to become an oiran, a woman first had to be educated in a range of skills from a relatively young age, including sadō (Japanese tea ceremony), ikebana (flower arranging) and calligraphy.
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Kouta (小唄, lit. ' little songs ') is a type of traditional Japanese music that originated in the red-light districts of Edo period (1603–1868) Japan, before developing further and experiencing wider popularity in the geisha districts that succeeded many red-light districts.
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