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"Welcome to Forever" samples "Never More" performed by Shoji Meguro, "Pray" performed by Jay-Z and Beyonce, and "GOOD Friday" performed by Kanye West featuring Big Sean, Charlie Wilson, Common, Kid Cudi and Pusha T. "925" samples "Mad Crew" performed by KRS-One, and "Backseat Freestyle" performed by Kendrick Lamar.
"Forever" is a song by Kenny Loggins from his 1985 album, Vox Humana. The song was written by Eva Ein and its producers Loggins and David Foster . It was released as the second single on May 12, 1985 by Columbia Records from the album, after " Vox Humana ", and became another top 40 hit on the Billboard Hot 100 for Loggins.
This electronic dance version does not contain most of the song's lyrics and only includes a slightly modified chorus as the sole vocals. In 2002, German DJ and music producer Kosmonova remixed this version of "Forever Young". The remix peaked at number 21 in Germany and number 37 in the UK.
The lyrics to “Forever Young” were published as a children's book along with illustrations by illustrator Paul Rogers. Rogers's visual interpretation of “Forever Young” includes references to Bob Dylan's life and livelihood juxtaposed against the backdrop of the social and political climate. [19]
"Forever" is a song by Canadian rapper Drake, and American rappers Kanye West, Lil Wayne, and Eminem. Written alongside producer Boi-1da, the song was originally released on August 27, 2009, as the third single from the soundtrack to LeBron James's More than a Game documentary, and was placed on the Refill re-release of Eminem's album Relapse (2009).
"Welcome to Forever," the new novel by Somerset native Nathan Tavares, takes readers deep into memory, sci-fi, and romance.
"Forever" is a song by American singer Chris Brown. Brown co-wrote the song with Andre Merritt, Rob Allen, Brian Kennedy , and Jamal "Polow da Don" Jones ; the latter two are also the producers.
The lyrics of the song were inspired by the poem Kubla Khan by Samuel Taylor Coleridge. In March 1985, the album track was abridged and remixed for release as the group's fourth UK single. While criticised at the time of release and afterward for being a song that glorifies debauchery, the lyrics (and video), just as Coleridge's poem, were ...