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Sütterlin is based on older German handwriting, which is a handwriting form of the Blackletter scripts such as Fraktur and Schwabacher, the German print scripts used at the same time. It includes the long s (ſ) as well as several standard ligatures such as ff (f-f), ſt (ſ-t), st (s-t), and ß (ſ-z or ſ-s).
Kurrent (German: [kʊˈʁɛnt]) is an old form of German-language handwriting based on late medieval cursive writing, also known as Kurrentschrift ("cursive script"), deutsche Schrift ("German script"), and German cursive. Over the history of its use into the first part of the 20th century, many individual letters acquired variant forms.
Old High German (OHG; German: Althochdeutsch (Ahdt., Ahd.)) is the earliest stage of the German language, conventionally identified as the period from around 500/750 to 1050. Rather than representing a single supra-regional form of German, Old High German encompasses the numerous West Germanic dialects that had undergone the set of consonantal ...
The Old High German period sees the first attempts to use the Latin alphabet for writing German, something which Otfrid of Weissenburg, writing c. 830, recognized as fraught with difficulty. [5] As Murdoch explains, "Written down without prescriptive rules in more or less isolated monasteries, then, it is to be expected that Old High (and Old ...
Ludwig Sütterlin (July 23, 1865 – November 20, 1917) [1] was a graphic artist who lived in Berlin, Germany, and was most notable for designing and creating the old German blackletter handwriting Sütterlinschrift (Sütterlin script) or simply Sütterlin. Ludwig was born on July 23, 1865, in Lahr, located within the Schwarzwald (Black Forest).
Fraktur is still used among traditional Anabaptists to print German texts, while Kurrent is used as hand writing for German texts. Groups that use both forms of traditional German script are the Amish, Old Order Mennonites, Hutterites, and traditional Plautdietsch-speaking Mennonites who live mostly in Latin America today. [citation needed]
The Elder Futhark (or Fuþark), also known as the Older Futhark, Old Futhark, or Germanic Futhark, is the oldest form of the runic alphabets. It was a writing system used by Germanic peoples for Northwest Germanic dialects in the Migration Period .
(a free translation of the opening line based on the translation by Karl Wolfskehl [37]). One of the most unusual settings is by the German composer Helmut Lachenmann in his Consolation II (1968), in which component phonetic parts of the words of the prayer are vocalised separately by the 16 solo voices in a texture of vocal 'musique concrète'.