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The soundtrack to the film Sunset Boulevard (1950) was composed by Franz Waxman. In 2005, Franz Waxman's score was named #16 of the top 25 film scores in the American Film Institute's "100 Years of Film Scores" list. [1] It was released on CD in 2002, an edition that was re-recorded by Joel McNeely and the Scottish Symphony Orchestra. [2]
Films that discuss Sunset Boulevard in their screenplays or pay homage in scenes or dialogue include Soapdish (1991), The Player (1992), Gods and Monsters (1998), Mulholland Drive (2001), [7] Inland Empire (2006) and Be Cool (2005). The ending of Cecil B. Demented (2000) is a parody of Sunset Boulevard's final scene.
Sunset Boulevard is a musical with music by Andrew Lloyd Webber, and lyrics and libretto by Don Black and Christopher Hampton.It is based on the 1950 film.. The plot revolves around Norma Desmond, a faded star of the silent screen era, living in the past in her decaying mansion on the fabled Los Angeles street.
Watch the music video for “Sunset Boulevard” below. Lloyd’s revival, which debuted in London last year prior to transferring to Broadway last month, takes imaginative swings with the ...
As she sings the final verse of “As If We Never Said Goodbye,” one of two showstopping numbers that bolster the musical “Sunset Boulevard,” Nicole Scherzinger turns her face skyward. Her ...
On August 10, 1950, Paramount’s Billy Wilder-directed drama Sunset Boulevard premiered in New York. The film went on to earn 11 nominations at the 23rd Academy Awards, winning in the art ...
In Sunset Boulevard, the main character, Norma Desmond, reveals her longing to return to the spotlight of fame. [2] The song has been performed by Barbra Streisand. It is featured on her album Back to Broadway and the live albums The Concert and Back to Brooklyn. Elaine Paige recorded the song for her album Encore.
The song is a recurring theme in the movie when referring to Millie Dillmount's (Julie Andrews) love life or lack thereof. The song is featured in the horror film The Abominable Dr. Phibes (1971), during a murder scene. In the film One Flew Over the Cuckoo's Nest (1975) the tune is constantly played as background music in the mental institution.