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Ultimate Classic Rock critic Matthew Wilkening rated "Spirit on the Water" as the 9th best song Dylan recorded between 1992 and 2011, saying that Dylan "indulges his playful, romantic side on this leisurely, old-fashioned love song" and praising the "unkempt jazz guitar chords and a soft, but cracking snare" as well as the line 'You think I'm ...
I'll Sleep Beside You Someday; I'll Still Feel The Same About You; I'm Allergic To Yellow Roses; I'm Gonna Leave Here Shoutin' I'm Not A Mountain; I'm Longing To Go; I'm Only Gonna Be Here Long Enough; I'm Simply Lost For Words; In And Out; In One Mind; In The Beginning; Into The Holy Of Holies; Is That The Lights Of Home; Is There Anything I ...
A minor major seventh chord, or minor/major seventh chord (also known as the Hitchcock Chord) is a seventh chord composed of a root, minor third, perfect fifth, and major seventh (1, ♭ 3, 5, and 7). It can be viewed as a minor triad with an additional major seventh. When using popular-music symbols, it is denoted by e.g. m (M7).
It can be represented as either as m 7 or − 7, or in integer notation, {0, 3, 7, 10}. This chord occurs on different scale degrees in different diatonic scales: In a major scale, it is on the supertonic, mediant, and submediant degrees (, , and ). [3] This is why the ii in a ii–V–I turnaround is a minor seventh chord (ii 7).
Lippy summarizes this as follows: "[T]hrough absolute surrender to the power of the Holy Spirit, by giving the self over to possession by the supernatural, one could triumph and thus attain power and control over the course of one's life." [24] In keeping with the gospel tradition, "I Surrender All" repeats key words throughout the hymn. Each ...
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In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).
"You Gotta Move" is a traditional African-American spiritual song. Since the 1940s, the song has been recorded by a variety of gospel musicians, usually as "You Got to Move" or "You've Got to Move". It was later popularized with blues and blues rock secular adaptations by Mississippi Fred McDowell and the Rolling Stones.