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The Boehm system for the clarinet is a system of clarinet keywork, developed between 1839 and 1843 by Hyacinthe Klosé and Auguste Buffet jeune.The name is somewhat deceptive; the system was inspired by Theobald Boehm's system for the flute, but necessarily differs from it, since the clarinet overblows at the twelfth rather than the flute's octave.
A Reform Boehm clarinet looks similar to an original Boehm clarinet, although some brands or models exhibit some of these differences: The right-hand little finger C and E♭ keys have rollers as on a German clarinet. The register key is like the key on German clarinets, with the corresponding tone hole on the left side. There is a ring on the ...
The Boehm system was also adapted for a small number of flageolets. Boehm did work on a system for the bassoon, and Boehm-inspired oboes have been made, but non-Boehm systems remain predominant for these instruments. The Albert system is another key system for the clarinet.
The main differences between the fingering systems of Boehm system clarinets and flutes are overblowing and key. The clarinet's second register is a twelfth above its lowest register, unlike the flute's which is an octave higher. The B ♭ clarinet is a transposing instrument, so a C on a clarinet is played as a B ♭ on the flute.
Fritz Wurlitzer in his workshop in the 1970s Fritz Wurlitzer Double Bass Clarinet. Fritz Ulrich Wurlitzer (21 December 1888 – 5 or 9 April 1984) was a German clarinet maker, based in Erlbach in Vogtland, Saxony. He developed the Reform Boehm clarinet and made improvements to the Schmidt-Kolbe clarinet [1] and the German bass clarinet. [2]
Reform Boehm clarinet in B♭ Herbert Wurlitzer escaped from East Germany in 1959 with his family into the Federal Republic of Germany. Here he built a manufactory for the production of clarinets, as he had learned from his father in Erlbach, Vogtland. [3] [4] He managed the company until his death in 1989 together with his wife Ruth Wurlitzer.