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Carter-style lick. [1] Play ⓘ In popular music genres such as country, blues, jazz or rock music, a lick is "a stock pattern or phrase" [2] consisting of a short series of notes used in solos and melodic lines and accompaniment. For musicians, learning a lick is usually a form of imitation. By imitating, musicians understand and analyze what ...
All these songs use twelve-bar blues riffs, and most of these riffs probably precede the examples given (Covach 2005, p. 71). In classical music, individual musical phrases used as the basis of classical music pieces are called ostinatos or simply phrases. Contemporary jazz writers also use riff- or lick-like ostinatos in modal music and Latin ...
Music journalist Richie Unterberger commented on the adaptability of blues: "From its inception, the blues has always responded to developments in popular music as a whole: the use of guitar and piano in American folk and gospel, the percussive rhythms of jazz, the lyrics of Tin Pan Alley, and the widespread use of amplification and electric ...
The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key.
The Simply Music Piano repertoire covers a broad range of styles, including classical, contemporary, jazz, blues, gospel, and other styles from around the world. In addition to the core Foundation pieces, students learn arrangements of each piece, along with accompaniments, teacher-selected written pieces, student-choice songs, and student ...
Boogie-woogie is a style of blues piano playing characterized by an up-tempo rhythm, a repeated melodic pattern in the bass, and a series of improvised variations in the treble. [3] Boogie woogie developed from a piano style that developed in the rough barrelhouse bars in the Southern states, where a piano player performed for the hard-drinking ...
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As the blues appears to have derived from a cappella field hollers of African slaves, it would be expected that its notes would be of just intonation origin closely related to the musical scales of western Africa. [16] [7] [9] The blue "lowered third" has been speculated to be from 7 ⁄ 6 (267 cents) [9] [10] to 350 cents [12] above the tonic ...