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Candy Dulfer in 2002 Candy Dulfer in 2016. Dulfer was born on 19 September 1969 in Amsterdam, Netherlands. [1] She began playing the drums at the age of five. [2] As a six-year-old, she started to play the soprano saxophone.
Saxuality is the debut album by Dutch alto saxophonist Candy Dulfer.Some versions of the album include the worldwide hit single "Lily Was Here" with Dave Stewart.The mainly instrumental album debuted on No. 4 in the Dutch album chart and was certified Gold. [2]
Sax-a-Go-Go is the second album by Dutch alto saxophonist Candy Dulfer, released in 1993. It entered the US Billboard Top Contemporary Jazz Albums chart at No. 5 in February 1994, remaining on the chart for 31 weeks. [2] The album peaked at number 77 in Australia. [3]
"Lily Was Here" is an instrumental duet by English musician David A. Stewart and Dutch saxophonist Candy Dulfer. It was released as a single in 1989 from the soundtrack of the same name for the Dutch movie De Kassière, also known by the English title Lily Was Here. The song reached number one in the Netherlands and became a top-twenty hit in ...
This discography of Candy Dulfer contains her own singles and albums, and also the other artists' albums for which she recorded. ... Sax-a-Go-Go: Released: 1993 [13]
The title track from the soundtrack, an instrumental duet between Stewart playing guitar and Candy Dulfer on saxophone, who also features on and co-wrote three of the other tracks, was released as a single and charted in numerous countries including reaching number one in the Netherlands for four weeks, [2] number 6 in the UK Singles Chart [3 ...
Candy Dulfer: 1969- X Smooth jazz: Hans Dulfer: 1940- X Jazz: Paul Dunmall: 1953- X C Free jazz: Teddy Edwards: 1924-2003 X Jazz: Larry Elgart: 1922-2017 X Jazz, swing: Richard Elliot: 1960- x x X Smooth jazz: Alfred "Pee Wee" Ellis: 1941-2021 X X: X X Jazz: Booker Ervin: 1930-1970 X Jazz: Wayne Escoffery: 1975- X Jazz: Ellery Eskelin
Big Girl is the third album by Dutch alto saxophonist Candy Dulfer. Before its release, she had been working mainly with Ulco Bed. But she was impressed by keyboard player Thomas Bank. This album marks the transition between the two producers and has a funkier style that tries to incorporate rap and hip hop into contemporary jazz.