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Proof sheet of Étude Op. 10, No. 2 with fingerings in Chopin's handwriting, c. 1833 The technical novelty of this étude is the chromatic scale to be played by the three outer fingers of the right hand together with short semiquaver notes to be played by the first and second fingers of the same hand and the difficulty is to do this evenly in ...
Chopin at 25, by his fiancée Maria Wodzińska, 1835. The Études by Frédéric Chopin are three sets of études (solo studies) for the piano published during the 1830s. There are twenty-seven compositions overall, comprising two separate collections of twelve, numbered Op. 10 and Op. 25, and a set of three without opus number.
The first French edition indicates a common time signature, but the manuscript and the first German edition both feature cut time. [1] The first four bars that characterize the melody were added just before publication at the advice of Charles A. Hoffmann, a friend. [2] Winter Wind is considered one of the most difficult of Chopin's 24 études. [3]
Chopin's metronome marking, given in the original sources, is MM 176 referring to quarter notes. The time signature common time is according to the first French, English, and German editions. [10] A copy by Józef Linowski of Chopin's autograph reads cut time (alla breve). [11]
Étude Op. 10, No. 11, in E ♭ major, is a technical study composed by Frédéric Chopin. It is sometimes known as the "Arpeggio" or "Guitar" Étude. The chief difficulty addressed in this piece is the performance of extended arpeggiated chords. Throughout, the hands are required to stretch intervals as large as twelfths.
Schumann commented on Chopin's subtle emphasis on certain melodies throughout this piece. [3] One difficulty the étude presents is the voicing of the inner counter-melodies. The three annotated studies by Leopold Godowsky on this etude exploit this aspect of this piece and also introduce the student to further possibilities in the Chopin original.
Excerpt from the beginning of Étude Op. 10, No. 10. Étude Op. 10, No. 10, in A ♭ major, is a technical study composed by Frédéric Chopin.This étude places huge demands on the performer in varying a single pattern by changes of accent and touch.
Opening of the Revolutionary Étude. Étude Op. 10, No. 12 in C minor, known as the "Revolutionary Étude" or the "Étude on the Bombardment of Warsaw", [1] is a solo piano work by Frédéric Chopin written c. 1831, and the last in his first set, Études, Op. 10, dedicated "à son ami Franz Liszt" ("to his friend Franz Liszt").