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Novalis's works were originally issued in two volumes by his friends Ludwig Tieck and Friedrich Schlegel (2 vols. 1802; a third volume was added in 1846). Editions of Novalis's collected works have since been compiled by C. Meisner and Bruno Wille (1898), by Ernst Heilborn (3 vols., 1901), and by J. Minor (4 vols., 1907).
Hymns to the Night (Hymnen an die Nacht) is a set of six prose poems written by the German Romantic poet Novalis (Georg Philipp Friedrich von Hardenberg) and published in 1800. [1] The poems were written in response to the death of Novalis' fiance, Sophie von Kuehn, in 1797. [2]
Pages in category "Works by Novalis" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. C.
Novalis saw Europe at a possible transition from the intermediate to golden age at the time of his writing. The transformed Christianity that Novalis thought could herald this new epoch would replace beliefs in divine revelation with an inspired poetic spirit, and the new religion would have a strong emphasis on aesthetics .
Works by Novalis (3 P) Pages in category "Novalis" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes. ...
The following is a list of the contents of the Critical and Miscellaneous Essays as they appear in the Centenary Edition (originally published 1896–1899), being the standard edition of the works of Thomas Carlyle. Volume I. C. G. Heyne. INTRODUCTION by Henry Duff Traill; Jean Paul Friedrich Richter [1827] Edinburgh Review, No. 91.
Itzig had been a member of the Berlin literary group called the Nordstern, or "North Star", and he gave Hoffmann the works of Novalis, Ludwig Tieck, Achim von Arnim, Clemens Brentano, Gotthilf Heinrich von Schubert, Carlo Gozzi and Calderón. These relatively late introductions marked his work profoundly.
His celebrity as organist was mainly based on his improvisation skill. The compositions Bruckner left for the organ are of secondary significance in his portfolio. With the exception of the later Perger Präludium with its romantic chromaticism, the few organ works date from his earlier lifetime and are mainly based on the baroque tradition. [3]