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The instrument featured a metal tailpiece and teardrop shaped "f-holes," and strongly resembled the archtop guitars of the 1930s. James S. Back obtained patent #508,858 in 1893 for a guitar (which also mentions applicability to mandolins) that among other features included an arched top, which were produced under the Howe Orme name.
The Gibson ES-165 Herb Ellis is an Archtop guitar manufactured by the Gibson Guitar Corporation in Nashville Tennessee. By March 2013, it was no longer in production. The single-pickup ES-175s were first introduced in 1949 but were discontinued around 1971 although small custom runs including the ES-175CC (with a Charlie Christian reproduction pickup) were made.
The Gibson Super 400 is an archtop guitar. It is a highly influential guitar model that inspired many other master guitar builders (including Elmer Stromberg and John D'Angelico ). [ 1 ] It was first sold in 1934 and named for its $400 price (equivalent to $9,110 in 2023), [ 2 ] like many Gibson guitars of that era.
The stoptail bridge consists of two parts: an adjustable fixed bridge piece, such as a Tune-o-matic and a separate stopbar (or stop bar) tailpiece. A stopbar tailpiece is, as the name implies, a bar-shaped formed metal piece commonly made of pot metal or zinc alloys although aluminum and brass may be used. Many manufacturers claim that the use ...
The Gibson L-1 is an acoustic guitar that was first sold by the Gibson Guitar Corporation in the early 20th century. The L-1 model was introduced first as an archtop (1902), and later as a flat top in 1926. The model is famously associated with the legendary bluesman Robert Johnson.
He requested a black guitar as he wanted it to "look like a tuxedo". Nicknamed the Black Beauty, [1] the guitar had a mahogany body and neck, ebony fret board, and mother of pearl block inlays on the fret board. The "Split Diamond" inlay on the headstock was taken from the carved archtop Super 400, [2] which was the top