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The Gibson ES-295 (1952–1959) is a hollow body guitar which was built by the Gibson Guitar Company. The ES-295 was introduced in May 1952 as a fancier version of the ES-175. The 295 had the same measurements as the ES-175, but it came in gold finish and featured a combination trapeze bridge/tailpiece.
The headstock featured a flower-pot inlay similar to the L-5 archtop and most L5S models featured the L-5 trapeze tailpiece (though some had stop-bar or TP-6 fine-tuning tailpieces). The L5S was available in various finishes, such as ebony, cherry sunburst, wine red and natural.
The cutaway and the amplification of a jazz guitar allowed players to use the uppermost frets on the neck during performances. [5] The 175 had a floating wooden bridge and a trapeze tailpiece. [6] The first versions had one single-coil P-90 pickup which was set close to the neck: there were two controls for volume and tone.
1958 saw the introduction of Gibson's new thinline series of guitars. The ES-335, 345 and 355, all came with a semi-hollow body: the wood of the top and back was maple and there was a maple center block inside the guitars which ran the length of the body all the way to the mahogany neck, with a rosewood fingerboard.
The Casino, also designated by Epiphone as model E230TD, is a thinline hollow-bodied guitar with two Gibson P-90 pick-ups. Although generally fitted with a trapeze-type tailpiece, often a Bigsby vibrato tailpiece is used in its place (either as a factory direct feature or as an aftermarket upgrade).
The Gibson ES-335 is a semi-hollow body semi-acoustic guitar introduced by the Gibson Guitar Corporation as part of its ES (Electric Spanish) series in 1958.It has a solid maple wood block running through the center of its body with hollow upper bouts and two violin-style f-holes cut into the top over the hollow chambers. [1]