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Iconodulism (also iconoduly or iconodulia) designates the religious service to icons (kissing and honourable veneration, incense, and candlelight). The term comes from Neoclassical Greek εἰκονόδουλος (eikonodoulos) (from Greek: εἰκόνα – icon (image) + Greek: δοῦλος – servant), meaning "one who serves images (icons)".
Byzantine Iconoclasm, Chludov Psalter, 9th century. [10]Christian worship by the sixth century had developed a clear belief in the intercession of saints. This belief was also influenced by a concept of hierarchy of sanctity, with the Trinity at its pinnacle, followed by the Virgin Mary, referred to in Greek as the Theotokos ("birth-giver of God") or Meter Theou ("Mother of God"), the saints ...
The worn state of many pages is evidence of continuous use throughout centuries. Chludov Psalter (Russian: Хлудовская псалтырь; Moscow, Hist. Mus. MS. D.129) is an illuminated marginal Psalter dating to the mid-9th century.
Only a small group of Byzantine manuscripts are dated to this period, with most of them mixing Latin and Byzantine elements. One of them, a bilingual Latin-Greek gospel book, is still kept at the National Library of France; the Greek-Latin tetra-gospel (Gr.54), which was probably intended for a high Latin dignitary, religious or layman. It was ...
Byzantine philosophy refers to the distinctive philosophical ideas of the philosophers and scholars of the Byzantine Empire, especially between the 8th and 15th centuries. It was characterised by a Christian world-view, closely linked to Eastern Orthodox theology , but drawing ideas directly from the Greek texts of Plato , Aristotle , and the ...
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The miniatures of the Rabbula Gospels, notably those representing the Crucifixion, the Ascension and Pentecost, are full-page pictures with a decorative frame formed of zigzags, curves, rainbows and so forth. The scene of the Crucifixion is the earliest to survive in an illuminated manuscript, and shows the Eastern form of the image at the time.
In the Bronze Age, the most significant episode of iconoclasm occurred in Egypt during the Amarna Period, when Akhenaten, based in his new capital of Akhetaten, instituted a significant shift in Egyptian artistic styles alongside a campaign of intolerance towards the traditional gods and a new emphasis on a state monolatristic tradition focused on the god Aten, the Sun disk—many temples and ...