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A fragment of a Gospel Book, now in the Durham Cathedral library and created in northern Britain in the 7th century, contains the earliest example of true knotted designs in the Celtic manner. Examples of plait work (a woven, unbroken [clarification needed] cord design) predate knotwork designs in several cultures around the world, [2] but the ...
Due to its presence in insular Celtic art, Celtic Reconstructionists use the triquetra either to represent one of the various triplicities in their cosmology and theology (such as the tripartite division of the world into the realms of Land, Sea, and Sky), [6] or as a symbol of one of the specific Celtic triple goddesses – for example the ...
The Celtic leaf-crown (German: Blattkrone) is a motif of Celtic art from the early La Tène period. A leaf-crown is composed of two broad lobe-shaped elements. The crowns adorn the heads of anthropomorphic figures, almost always male and often bearded. The lobes have been identified with mistletoe leaves. The interpretation of this motif is ...
It is used by all Cornish people as a symbol of their identity. [2] The flag is attributed to Saint Piran, a 5th-century Cornish abbot. But the white cross and black background design is also the coat of arms of the Saint-Perran (or Saint-Pezran) family from Cornouaille in Brittany, recorded from the 15th century. [3]
A version of the Celtic cross is used as a symbol by white supremacists. [8] It was used by Nazis in Norway in the 1930s and 1940s; more recently, it has been used by neo-Nazis, Klansmen, and other white supremacist groups. In general, white supremacists use a version of the symbol with a square cross as opposed to the traditional elongated cross.
Also covered by the term is the visual art of the Celtic Revival (on the whole more notable for literature) from the 18th century to the modern era, which began as a conscious effort by Modern Celts, mostly in the British Isles, to express self-identification and nationalism, and became popular well beyond the Celtic nations, and whose style is ...
Also, in Immacallam in dá Thuarad, or The Dialogue of the Two Sages, the mystic symbol used by gods, fairies, magicians, and by all initiates who know the mystery of life and death, is thus described as a Druid symbol:–'Neidhe' (a young bard who aspired to succeed his father as chief poet of Ulster), "made his journey with a silver branch over him.
The Celtic deities are known from a variety of sources such as written Celtic mythology, ancient places of worship, statues, engravings, religious objects, as well as place and personal names. Celtic deities can belong to two categories: general and local.