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In rhetoric, an anaphora (Greek: ἀναφορά, "carrying back") is a rhetorical device that consists of repeating a sequence of words at the beginnings of neighboring clauses, thereby lending them emphasis. [2]
In linguistics, anaphora (/ ə ˈ n æ f ər ə /) is the use of an expression whose interpretation depends upon another expression in context (its antecedent).In a narrower sense, anaphora is the use of an expression that depends specifically upon an antecedent expression and thus is contrasted with cataphora, which is the use of an expression that depends upon a postcedent expression.
Example: "She sells sea shells by the sea shore". Anadiplosis: repetition of a word at the end of a clause and then at the beginning of its succeeding clause. Anaphora: the repetition of a word or phrase at the beginning of successive clauses. Anastrophe: changing the object, subject and verb order in a clause.
In rhetoric, a rhetorical device, persuasive device, or stylistic device is a technique that an author or speaker uses to convey to the listener or reader a meaning with the goal of persuading them towards considering a topic from a perspective, using language designed to encourage or provoke an emotional display of a given perspective or action.
Examples of Parallel structure used alongside other rhetorical devices: Anaphora (repetition of the beginning of successive clauses): "I live, I love, I laugh." Epistrophe (repetition of the end of successive clauses): "Work stinks, wife stinks, dog stinks." Climax (increasing in intensified meaning): “I like him, I love him, I need him.”
Popular examples of the Mandela effect. Here are some Mandela effect examples that have confused me over the years — and many others too. Grab your friends and see which false memories you may ...
Repetition is the simple repeating of a word, within a short space of words (including in a poem), with no particular placement of the words to secure emphasis.It is a multilinguistic written or spoken device, frequently used in English and several other languages, such as Hindi and Chinese, and so rarely termed a figure of speech.
As applied to entertainment, whitewashing generally refers to the practice of casting White actors in non-White roles in order to appeal to larger audiences, at the expense of diverse representation.