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But the use of this pattern in Insular manuscripts is almost systematic from the middle of the 7th century onwards. It can fill out the space around other types of illumination, as well as initials, frames, margins, and carpet pages. Different types of interlace can be identified: simple, double, or triple. [6]
The Four Evangelists are represented in the corners of the frame and Christ and the Twelve Apostles are seen along the border, with Christ in the center along the top edge. [7] The details shown in the plaque and frame indeed give a sense of Christianity and the Carolingian age, which helped to influence the style and ways of interpreting these ...
The second temple has all the features of a Christian church. The rectangular hall (12.40 x 5.40 m) is completed with the semi-circular altar apse attached to it after the temple construction. 4 round bottom pillars were found inside the hall. Archaeologists believe that these stones belong to the four pillars that keep the temple roof.
A mandorla is an almond-shaped aureola, i.e. a frame that surrounds the totality of an iconographic figure. It is usually synonymous with vesica, a lens shape. Mandorlas often surround the figures of Jesus Christ and the Virgin Mary in traditional Christian iconography. [1]
13th-century Yaroslavl Gospels, with curtained ciborium in the centre; a common motif in Evangelist portraits. Images and documentary mentions of early examples often have curtains called tetravela hung between the columns; these altar-curtains were used to cover and then reveal the view of the altar by the congregation at points during services — exactly which points varied, and is often ...
the most frequent and most artistic form is the combination of the simple frame and the truss-frame, from which spring the most varied combinations, as sometimes the simple frame encloses a truss-frame, or the reverse, or sometimes two truss-frames are combined with each other (combined frame);
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Reredos depicting the Immaculate Conception.Portuguese, 17th century. Santarém, Portugal. A reredos (/ ˈ r ɪər ˌ d ɒ s, ˈ r ɪər ɪ-, ˈ r ɛ r ɪ-/ REER-dos, REER-ih-, RERR-ih-) is a large altarpiece, a screen, or decoration placed behind the altar in a church.