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the most frequent and most artistic form is the combination of the simple frame and the truss-frame, from which spring the most varied combinations, as sometimes the simple frame encloses a truss-frame, or the reverse, or sometimes two truss-frames are combined with each other (combined frame);
Christian art is nearly as old as Christianity itself. The oldest Christian sculptures are from Roman sarcophagi, dating to the beginning of the 2nd century.As a persecuted sect, however, the earliest Christian images were arcane and meant to be intelligible only to the initiated.
The main image portrayed in Pichhwai paintings is Shrinathji.This 700+ years old form of Krishna, is the presiding deity worshipped at the Shrinathji Temple with many paintings showing the rituals and worship offered to the deity in the temple.
A mandorla is an almond-shaped aureola, i.e. a frame that surrounds the totality of an iconographic figure. It is usually synonymous with vesica, a lens shape. Mandorlas often surround the figures of Jesus Christ and the Virgin Mary in traditional Christian iconography. [1]
13th-century Yaroslavl Gospels, with curtained ciborium in the centre; a common motif in Evangelist portraits. Images and documentary mentions of early examples often have curtains called tetravela hung between the columns; these altar-curtains were used to cover and then reveal the view of the altar by the congregation at points during services — exactly which points varied, and is often ...
Reredos depicting the Immaculate Conception.Portuguese, 17th century. Santarém, Portugal. A reredos (/ ˈ r ɪər ˌ d ɒ s, ˈ r ɪər ɪ-, ˈ r ɛ r ɪ-/ REER-dos, REER-ih-, RERR-ih-) is a large altarpiece, a screen, or decoration placed behind the altar in a church.
A distinction emerged between the retablo for ritual and religious purposes and the retablo as decoration." [ 9 ] Many others in the area, including Nicario Jimenez Quispe , continued along the same path as Antay, creating a popular art that was displayed during the annual branding ceremonies of cattle, sheep, and llamas.
Many religious homes in Russia have icons hanging on the wall in the krasny ugol, the "red" or "beautiful" corner. There is a rich history and elaborate religious symbolism associated with icons. In Russian churches, the nave is typically separated from the sanctuary by an iconostasis (Russian ikonostas , иконостас), or icon-screen, a ...