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For example, Sonnet 26 of Sidney's Astrophel and Stella has a line "though duskie wits doe scorne Astrology.. who oft bewares my after following case, by only those two starres in Stella's face." [ 8 ] A. L. Rowse points out in both of these poems the speaker is unable to predict the future by using astrology, and can only predict the future ...
It is most commonly found in English poetry produced in the 16th and 17th centuries. Fourteeners often appear as rhymed couplets, in which case they may be seen as ballad stanza or common metre hymn quatrains in two rather than four lines. The term may also be used as a synonym for quatorzain, a 14-line poem, such as a sonnet.
He also introduced variations in the proportions of the sonnet, from the 10 1 ⁄ 2 lines of the curtal sonnet "Pied Beauty" to the amplified 24-line caudate sonnet "That Nature is a Heraclitean Fire". Though they were written in the later Victorian era, the poems remained virtually unknown until they were published in 1918.
"Sonnet X", also known by its opening words as "Death Be Not Proud", is a fourteen-line poem, or sonnet, by English poet John Donne (1572–1631), one of the leading figures in the metaphysical poets group of seventeenth-century English literature. Written between February and August 1609, it was first published posthumously in 1633.
"To Science", or "Sonnet – To Science", is a traditional 14-line English sonnet which says that science is the enemy of the poet because it takes away the mysteries of the world. Poe was concerned with the recent influx of modern science and social science and how it potentially undermined spiritual beliefs.
Milton’s Sonnet 18 is written in iambic pentameter, with ten syllables per line, and consists of the customary 14 lines. Milton's sonnets do not follow the English (Shakespearean) sonnet form, however, but the original Italian (Petrarchan) form, as did other English poets before him (e.g. Wyatt) and after him (e.g. Elizabeth Browning). This ...
The Spenserian sonnet is a sonnet form named for the poet Edmund Spenser. [1] A Spenserian sonnet consists of fourteen lines, which are broken into four stanzas: three interlocked quatrains and a final couplet, with the rhyme scheme ABAB BCBC CDCD EE. [2] It uses iambic pentameter. [3]
However, unlike the curtal sonnet, a Hopkins invention which is a 10½-line form with precisely the same proportions as a Petrarchan sonnet, his caudate sonnet is a full sonnet unmodified but with an extra six lines. Hopkins heightens the effect of the extension with an enjambment from the 14th line to the 15th.