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Socrates on Trial: A Play Based on Aristophane's Clouds and Plato's Apology, Crito, and Phaedo Adapted for Modern Performance (2007), by Andrew David Irvine, is a contemporary play that portrays Socrates as philosopher and man, based upon The Clouds (423 BC), by Aristophanes, and three Socratic dialogues, by Plato, the Apology of Socrates (the ...
The dictum is recorded in Plato's Apology (38a5–6) as ho dè anexétastos bíos ou biōtòs anthrṓpōi (but the unexamined life is not lived by man) (ὁ δὲ ἀνεξέταστος βίος οὐ βιωτὸς ἀνθρώπῳ).
The term "gadfly" (Ancient Greek: μύωψ [1], mýops [2]) was used by Plato in the Apology [3] to describe Socrates' acting as an uncomfortable goad to the Athenian political scene, like a spur or biting fly arousing a sluggish horse.
This is technically a shorter paraphrasing of Socrates' statement, "I neither know nor think I know" (in Plato, Apology 21d). The paraphrased saying, though widely attributed to Plato's Socrates in both ancient and modern times, actually occurs nowhere in Plato's works in precisely the form "I know I know nothing."
The Greek philosophers Plato, Isocrates, and Aristotle described apologia as an oratory to defend positions or actions particularly in the sense of a legal defense. Socrates believed an apology to be a well-thought justification of accusations made. [6] Socrates represents this act of defending oneself in Plato's Apology. Socrates justified the ...
A famous example is Socrates' Apologia defense, as chronicled in Plato's Apology. In the Koine Greek of the New Testament, the Apostle Paul employs the term apologia in his trial speech to Festus and Agrippa when he says "I make my defense" in Acts 26:2. [6]
Crito (/ ˈ k r aɪ t oʊ / KRY-toh or / ˈ k r iː t oʊ / KREE-toh; Ancient Greek: Κρίτων) is a dialogue written by the ancient Greek philosopher Plato.It depicts a conversation between Socrates and his wealthy friend Crito of Alopece regarding justice (δικαιοσύνη), injustice (ἀδικία), and the appropriate response to injustice.
It is set in the last hours prior to the death of Socrates, and is Plato's fourth and last dialogue to detail the philosopher's final days, following Euthyphro, Apology, and Crito. One of the main themes in the Phaedo is the idea that the soul is immortal .