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"Don't Let Me Be Misunderstood" has been covered by many artists. Two of the covers were transatlantic hits, the first in 1965 by the Animals , which was a blues rock version; and in 1977 by the disco group Santa Esmeralda , which was a four-on-the-floor rearrangement.
"Please Don't Leave Me" is a song from American singer Pink and the third single taken from her fifth studio album Funhouse. It was released on February 16, 2009. It was released on February 16, 2009.
Multiple versions of "Don't Let Me Down" were recorded by the Beatles during the Get Back (Let It Be) recording sessions. The version recorded on 28 January 1969, with vocal overdubs in early February, was released as a B-side to the single "Get Back", recorded the same day. [10] "
At its core, 'Don't Let the Old Man In" is a song about how time comes for all of us, but we can't let it get to us. It's another way of saying we should live life to the fullest while we're here ...
"Don't Let Him Steal Your Heart Away" is a song by Phil Collins from his second solo album Hello, I Must Be Going!. The song was the third single released from the album in the UK and charted at No. 45. It is notable for its 3D sleeve. The song was written around 1978-1979 during sessions for Face Value. [1]
"Don't Let Me Get Me" is a song by American singer Pink. It was written by Pink and Dallas Austin and produced by the latter for her second studio album, Missundaztood (2001). The song was released as the second single from the album on February 18, 2002.
"Don't Let Me Down" is a song by American production duo the Chainsmokers featuring vocals from American singer Daya. It was released on February 5, 2016, through Disruptor Records and Columbia Records. [5] [6] The song was written by Andrew Taggart, Emily Warren, and Scott Harris. It was released as the radio single follow-up to "Roses".
"Don't Let Me Be the Last to Know" received mostly positive reviews from music critics, who considered it a good break from the album's genre and praised Spears' vocals, comparing them to those of Twain and Stevie Wonder. The song attained moderate commercial success, reaching number one in Romania, and peaking inside the top ten in Austria ...