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Gregorian melodies are more likely to traverse a seventh than a full octave, so that melodies rarely travel from D up to the D an octave higher, but often travel from D to the C a seventh higher, using such patterns as D-F-G-A-C. [45] > Gregorian melodies often explore chains of pitches, such as F-A-C, around which the other notes of the chant ...
Luther also adopted several Gregorian chants and gave them new German texts. With new melodies the singularity always stood in the foreground; often the melodies move in familiar formulas – artistic originality of the melody was of little importance. New melodies were mostly written in collaboration with Johann Walter. Luther also asked other ...
The chants can be sung by using six-note patterns called hexachords. Gregorian melodies are traditionally written using neumes, an early form of musical notation from which the modern four-line and five-line staff developed. [1] Multi-voice elaborations of Gregorian chant, known as organum, were an early stage in the development of Western ...
A plagal mode (from Greek πλάγιος 'oblique, sideways, athwart') [7] [8] has a range that includes the octave from the fourth below the final to the fifth above. The plagal modes are the even-numbered modes 2, 4, 6 and 8, and each takes its name from the corresponding odd-numbered authentic mode with the addition of the prefix "hypo-": Hypodorian, Hypophrygian, Hypolydian, and ...
Chants may range from a simple melody involving a limited set of notes to highly complex musical structures, often including a great deal of repetition of musical subphrases, such as Great Responsories and Offertories of Gregorian chant. Chant may be considered speech, music, or a heightened or stylized form of speech.
Gregorian chant is a variety of plainsong named after Pope Gregory I (6th century A.D.), but Gregory did not invent the chant. The tradition linking Gregory I to the development of the chant seems to rest on a possibly mistaken identification of a certain "Gregorius", probably Pope Gregory II, with his more famous predecessor. The term ...
In this process of chant transmission, which followed Charlemagne's reform, the so-called "Gregorian chant" or Franco-Roman chant, as it was written down about 150 years after the reform, was born. The function of the tonary within chant transmission explains why local schools of Latin chant can be studied by their tonary.
"Bread of Angels", Gregorian Chants; Panis angelicus: Text, translations and list of free scores by several composers at the Choral Public Domain Library (ChoralWiki) Archival sheet music for "Panis Angelicus", Oliver Ditson Company, 1901. Video on YouTube, Luciano Pavarotti, conducted by Franz-Paul Decker, 21 September 1978, Montreal