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James Titus Godbolt (October 2, 1927 – May 16, 2008), known professionally as Jimmy Slyde and also as the "King of Slides", was an American tap dancer known for his innovative tap style mixed with jazz. Slyde was a popular rhythm tap dancer in America in the mid-20th century, when he performed on the nightclub and burlesque circuits.
The United States of America is the home of the hip hop dance, swing, tap dance and its derivative Rock and Roll, and modern square dance (associated with the United States of America due to its historic development in that country—twenty three U.S. states have designated it as their official state dance or official folk dance) and one of the major centers for modern dance.
Olga Maynard (January 16, 1913 – December 26, 1994) [1] was a Brazilian-born American writer and educator on theater arts, author of articles and monographs on dance and dancers. Her published books are on ballet, modern dance, opera and the integration of performing arts into general education.
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Martha Hill (December 1, 1900 – November 19, 1995) [1] was an American dance instructor with wide influence. She founded innovative programs at Bennington College and Connecticut College, and was the first Director of Dance at the Juilliard School, a position she held for almost 35 years.
He wanted to "dance man and woman in America today". He was most famous for his work with Doris Humphrey, with whom he started the Humphrey-Weidman Company. The two met when they were dancing in the Denishawn Company (of Ted Shawn and Ruth St. Denis ) and they soon after decided to create a dance company that built off a "dance style that ...
The dance that eventually became known as the Big Apple is speculated to have been created in the early 1930s by African-American youth dancing at the Big Apple Club, which was at the former House of Peace Synagogue on Park Street in Columbia, South Carolina. [3] The synagogue was converted into a black juke joint called the "Big Apple Night Club".
With clear pioneers, pupils and principles, modern dance began to emerge as a distinctly American art form to be taught and developed throughout the country and continent. [citation needed] Later choreographers searched for new methods of dance composition. Merce Cunningham (1919–2009) introduced chance procedures and composition by field.