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The Immaculate Conception is the belief that the Virgin Mary was free ... who each produced a number of artistic masterpieces based on the use of these same symbols. ...
The Immaculate Conception is a painting by Italian painter Giovanni Battista Tiepolo (1696–1770). The painting was one of seven altarpieces commissioned in March 1767 from Tiepolo by King Charles III of Spain for the Church of Saint Pascual in Aranjuez, then under construction.
The theme of the altarpiece is the Immaculate Conception. [1]Official Catholic dogma states that Mary, receiving in anticipation the fruits of the resurrection of her son Jesus, was conceived free of original sin: she was not corrupted by the initial fault that has since given every human being a tendency to commit evil.
Murillo's Immaculate Conception, 1650. Given that up to the 13th century a series of saints including Bernard of Clairvaux, Bonaventure, Thomas Aquinas, and the Dominicans in general had either opposed or questioned this doctrine, Catholic art on the subject mostly dates to periods after the 15th century and is absent from Renaissance art.
Fleur-de-lis is the stylized depiction of the lily flower. The name itself derives from ancient Greek λείριον > Latin lilium > French lis.. The lily has always been the symbol of fertility and purity, and in Christianity it symbolizes the Immaculate Conception.
Atop the column is a bronze statue of the Virgin Mary, the work of Giuseppe Obici. The standard imagery of the immaculate conception is used: a virgin on a crescent, atop the world, stomping a serpent (a symbol of the original sin assigned to all humans since Adam and Eve; except the perfected sinless Virgin Mary).
The Immaculate Conception represents Mary as the only mortal being free of original sin. This is a long-established Catholic doctrinal argument, frequently depicted in the painting of the Spanish Golden Age. Mary appears standing on five cherubim occupying a half moon.
Diego Velázquez's Immaculate Conception 1618. The New Testament's Book of Revelation (12:1, 2 & 5) describes the Woman of the Apocalypse: And there appeared a great wonder in heaven; a woman clothed with the sun, and the moon under her feet, and upon her head a crown of twelve stars. And she being with child cried, travailing in birth. ....