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It is not named in the text of either The Hobbit or The Lord of the Rings, but appears on the latter's map of Middle-earth drawn by Christopher Tolkien. Described as "the Trolls' wood" in the main text, the name "Trollshaws" is derived from troll + shaw, an archaic term for a thicket or small wood. [6]
Tolkien has been called the "father" of modern fantasy. [14] The author and editor of Journal of the Fantastic in the Arts, Brian Attebery, writes that fantasy is defined "not by boundaries but by a centre", which is The Lord of the Rings. [15] Many later fantasy writers have either imitated Tolkien's work, or have written in reaction against ...
Tolkien's Middle-earth and its monsters have been documented in Clash of the Gods: Tolkien's Monsters, a 2009 television programme in the History Channel's Clash of the Gods series. [23] Jason Seratino, writing on Complex , has listed his ten favourite Tolkien monsters in movies, describing the Great Goblin as "a slimy cross between Sloth and ...
This category is for essays, lectures, studies, letters and other short works of non-fiction by J. R. R. Tolkien. Pages in category "Essays by J. R. R. Tolkien" The following 13 pages are in this category, out of 13 total.
The scholar Brian Rosebury considers Tolkien's narrative portrayal of Gollum (pictured) his most memorable success. [1]The philologist and fantasy author J. R. R. Tolkien made use of multiple literary devices in The Lord of the Rings, from its narrative structure and its use of pseudotranslation and editorial framing, to character pairing and the deliberate cultivation of an impression of ...
Trolls have appeared in many works of modern fiction, most often in the fantasy genre, with classic examples being the portrayal of trolls in works such as in Tolkien's Middle-earth [18] or the Dungeons & Dragons roleplaying game. [19] [20] Beginning in the 1950s, Troll dolls were a popular toy based on the folklore creature.
A quality of literature that Tolkien particularly prized, and sought to achieve in The Lord of the Rings, was the impression of depth, of hidden vistas into ancient history. He found this especially in Beowulf , but also in other works that he admired, such as Virgil 's Aeneid , Shakespeare 's Macbeth , Sir Orfeo , and Grimms' Fairy Tales . [ 31 ]
The Tolkien scholar Tom Shippey states that Tolkien's spelling "warg" is a cross of Old Norse vargr and Old English wearh. He notes that the words embody a shift in meaning from "wolf" to "outlaw": vargr carries both meanings, while wearh means "outcast" or "outlaw", but has lost the sense of "wolf". [ 28 ]