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The painting shows a tired, faceless Black woman sitting on the edge of her bed about start her workday. The artist first conceived of the painting while getting ready to catch a bus to work on a cold winter morning. [9] As of 2011, Blue Monday was the most mass-produced and popular painting of the artist. [10]
Kevin Carter's Pulitzer Prize–winning photograph of a starving Sudanese child and a vulture waiting in the background. The Vulture and the Little Girl, also known as The Struggling Girl, is a photograph by Kevin Carter which first appeared in The New York Times on 26 March 1993.
Alma Woodsey Thomas (September 22, 1891 – February 24, 1978) was an African-American artist and teacher who lived and worked in Washington, D.C., and is now recognized as a major American painter of the 20th century.
Mourning portrait of K. Horvath-Stansith, née Kiss, artist unknown, 1680s A Child of the Honigh Family on its Deathbed, by an unknown painter, 1675-1700. A mourning portrait or deathbed portrait is a portrait of a person who has recently died, usually shown on their deathbed, or lying in repose, displayed for mourners.
The picture is a bit higher than it is wide. Shown from above, a small child with blonde hair is depicted in the left half of the painting, who is facing the viewer, standing in front of the bed of a dead or dying woman to whom she has turned her back. Her arms are raised, the hands seem to be pressed against the ears, the head is slightly lowered.
Sarah Baartman (Afrikaans: [ˈsɑːra ˈbɑːrtman]; c. 1789 – 29 December 1815), also spelled Sara, sometimes in the diminutive form Saartje (Afrikaans pronunciation:), or Saartjie, and Bartman, Bartmann, was a Khoekhoe woman who was exhibited as a freak show attraction in 19th-century Europe under the name Hottentot Venus, a name that was later attributed to at least one other woman ...
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While television specials kept the Adamsons' cause in the spotlight, Adamson spent her last 10 years travelling the world, giving speeches about the perils faced by wildlife in Africa. [7] A book of her paintings, Joy Adamson's Africa, was published in 1972. She rehabilitated a cheetah and an African leopard.