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This is an extension of the VHS vs. Betamax format war, but here neither format "won" widespread acceptance. Video8 had the advantage in terms of recording time (4 hours versus 2 hours maximum), but consumers also liked VHS-C since it could easily play in their home VCRs, thus the two formats essentially split the camcorder market in half. Both ...
Format wars have been avoided in notable cases such as the DVD Forum for the unified DVD standard (except for a minor war from 1998 to 1999 with the DIVX format), and the Grand Alliance for the HDTV standard. [citation needed] The emergence of high definition players followed the entry of HDTV televisions into the mainstream market in the mid ...
16:9 is the only widescreen aspect ratio natively supported by the DVD format. An anamorphic PAL region DVD video frame has a maximum resolution of 720 × 576p, but a video player software will stretch this to 1024 × 576p. Producers can also choose to show even wider ratios such as 1.85:1 and 2.4:1 within the 16:9 DVD frame by hard matting or ...
HD DVD is the only high-def disc format that can decode 1080p25 while Blu-ray and HD DVD can both decode 1080p24 and 1080p30. 1080p25 content can only be presented on Blu-ray as 1080i50. ^ h Linear PCM is the only lossless audio codec that is mandatory for both HD DVD and Blu-ray disc players, only HD DVD players are required to decode two ...
Widescreen images are displayed within a set of aspect ratios (relationship of image width to height) used in film, television and computer screens. In film, a widescreen film is any film image with a width-to-height aspect ratio greater than 4:3 (1.33:1). For TV, the original screen ratio for broadcasts was in 4:3 (1.33:1).
Fullscreen (or full screen) refers to the 4:3 (1. 33:1) aspect ratio of early standard television screens and computer monitors. [1] Widescreen ratios started to become more popular in the 1990s and 2000s. Film originally created in the 4:3 aspect ratio does not need to be altered for full-screen release.
Normal mode frames the 4:3 video to the 16:9 picture area by displaying it in its original aspect ratio, with vertical gray or black bars on both sides of the screen. The disadvantage of this method is the fact that the image is small by virtue of not using the entire width of the screen. This is also known as the 4:3 mode.
As of 2017, the most common aspect ratio for TV broadcasts is 16:9, whereas movies are generally made in the wider 21:9 aspect ratio. Most modern TVs are 16:9, which causes letterboxing when viewing 21:9 content, and pillarboxing when viewing 4:3 content such as older films or TV broadcasts, unless the content is cropped or stretched to fill ...