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The primary medium of Nanyang Style is Chinese ink and colour, or oil on canvas. A simple use of colours and lines is similar to those of post-Impressionists, such as Vincent van Gogh. The art style reflects the universal culture of migrants, who in this case adapted to and accepted a new mix of Western, Chinese and Eastern beliefs and practices.
The Lingnan School (traditional Chinese: 嶺南畫派; simplified Chinese: 岭南画派; pinyin: Lǐngnán huà pài) was an art movement active in the late Qing dynasty and Republic of China that sought to modernize Chinese painting through borrowing from other artistic traditions.
The members of the Fifth Moon Group studied western art movements, and concluded that the abstract art form was the best medium for modern Chinese art. They felt the best the Chinese paintings were ones that de-emphasized realistic representation, and emphasized atmosphere and "vividness", which comes from the brush strokes and the natural ...
The guqin is a seven-stringed zither that owes its invention to ancient Chinese society some 3,000 years ago. During the Imperial Chinese period, a scholar was expected to play the guqin. Guqin was explored as an art-form as well as a science, and scholars strove to both play it well and to create texts on its manipulation.
Because of Korea's position between China and Japan, Korea was seen as a mere conduit of Chinese culture to Japan. However, recent scholars have begun to acknowledge Korea's own unique art, culture, and important role in not only transmitting Chinese culture but assimilating it and creating a unique culture of its own.
New forms of Chinese art were heavily influenced by the New Culture Movement, which adopted Western techniques and employed socialist realism. The Cultural Revolution would shape Chinese art in the 20th century like no other event in history with the Four Olds destruction campaign. Contemporary Chinese artists continue to produce a wide range ...
Cynical realism (simplified Chinese: 玩世现实主义; traditional Chinese: 玩世現實主義; pinyin: wánshì xiànshí zhǔyì) is a contemporary movement in Chinese art, especially in the form of painting, that began in the 1990s. Beginning in Beijing, it has become one of the most popular Chinese contemporary art movements in mainland ...
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