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To categorize Lao music, it seems helpful to distinguish between the nonclassical folk traditions (which are presented through the ensembles and instruments used within), the classical music traditions and its basic ensembles, and vocal traditions. The most popular form of music in Laos is the indigenous mor lam.
"Pheng Xat Lao" (Lao: ເພງຊາດລາວ [pʰeŋ saːt laːw], "Song of the Lao People") is the national anthem of the Lao People's Democratic Republic. It was written and composed in 1941 by Thongdy Sounthonevichit.
The Lao classical orchestra can be divided into two categories, Sep Nyai and Sep Noi (or Mahori).The Sep Nyai is similar to Piphat, and is ceremonial and formal music and includes: two sets of gongs (khong vông), a xylophone (), an oboe (pei or salai), two large kettle drums and two sets of cymbals (sing, similar to Thai ching).
In northern Laos, the regional folk music styles are referred to as ຂັບ, khap /kʰáp/, and signifies 'to sing' or a 'song'. The Lao-speaking people across the river in Isan call the music หมอลำ, mo lam, /mɔ̌ː lám/, which refers to both the singer and the musical style, while in Laos, the equivalent term ໝໍລຳ, molam ...
Lam saravane [1] (Lao: ລຳສາລະວັນ, Thai: ลำสาละวัน) is a popular folksong originally from the southern province of Saravane Province of Laos, [2] but popular throughout the Lao-speaking world, including the Isan region of Thailand, [3] but it is also regarded as a traditional folksong and dance of Khmer culture.
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Mor lam sing (Thai/Isan หมอลำซิ่ง) is a fast-paced, racy and modernized version of the traditional Lao/Isan song form mor lam (for ex:in 1986) . Sing comes from the English word "racing" (a reference to the music's speed and its origins among Isan's biker fraternity).