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A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular.
Beach music – Californian genre from the 1950s that combined elements of all popular genres at the time, particularly big band and shag jazz. Beat music – a style of rock and roll developed in the United Kingdom characterized by its strong, driving beat that emphasizes all the beats of a 4/4 bar; unlike British rock and roll, beat music was ...
The swing era brought to swing music Louis Armstrong, Billie Holiday, and by 1938 Ella Fitzgerald. Armstrong, who had heavily influenced jazz as its greatest soloist in the 1920s when working with both small bands and larger ones, now appeared only with big swing bands.
While the Big Band Era suggests that big bands flourished for a short period, they have been a part of jazz music since their emergence in the 1920s when white concert bands adopted the rhythms and musical forms of small African-American jazz combos.
Schuller then considers two sites of big band activity: New York and Kansas City. The New York musical personalities that he considers at some length are James Reese Europe , who prefigured jazz developments but died in 1919 at the height of his influence; as well as Fletcher Henderson and Don Redman , the prime mover and arranger in the ...
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Big band: Big band is a type of musical ensemble, in essence a jazz orchestra, that typically consists of at least ten musicians and four sections. 1910s -> British dance band: British dance band is a genre of popular jazz and dance music that developed in British dance halls and hotel ballrooms during the 1920s and 1930s. 1920s -> Cape jazz
A style of rock music from the late 1960s and early 1970s which emphasizes psychedelic imagery, unusual sound effects, and distorted guitar playing. ad libitum (commonly ad lib; Latin) "At liberty" (i.e. the speed and manner of execution are left to the performer). In some cases, the instruction suggests that the performer improvise a part.