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"Giant Steps" is a jazz composition by American saxophonist John Coltrane. [1] It was first recorded in 1959 and released on the 1960 album Giant Steps. [2] The composition features a cyclic chord pattern that has come to be known as Coltrane changes. The composition has become a jazz standard, covered by many artists.
Giant Steps is a studio album by the jazz musician John Coltrane. It was released in February 1960 through Atlantic Records. [1] [2] [4] This was Coltrane's first album as leader for the label, with which he had signed a new contract the previous year. The record is regarded as one of the most influential jazz albums of all time.
The "Giant Steps" cycle is the culmination of Coltrane's theories applied to a completely new chord progression. Coltrane uses the cycle in descending major third tonal transpositions in the opening bars and then ascending ii–V–I progressions separated by a major third in the second section of "Giant Steps".
John Coltrane's modal jazz is usually analyzed using Russell's method. [10] In arguably his most famous piece, "Giant Steps," Coltrane can be heard traveling through a succession of three parent Lydian Chromatic scales: C Lydian, A ♭ Lydian, and E Lydian. [11] Additionally, many conservatories teach Russell's theory to varying degrees. [12] [13]
"Naima" (/ n aɪ ˈ iː m ə / ny-EE-mə) is a jazz ballad composed by John Coltrane in 1959 that he named after his then-wife, Juanita Naima Grubbs. Coltrane first recorded it for his 1959 album Giant Steps, and it became one of his first well-known works.
At the end of this period, Coltrane recorded Giant Steps (1960), his first released album as leader for Atlantic that contained only his compositions. [37] The album's title track is generally considered to have one of the most difficult chord progressions of any widely played jazz composition, [38] eventually referred to as Coltrane changes. [39]
"Mr. P.C." is a twelve-bar jazz piece in minor blues form, composed by John Coltrane in 1959. The song is named in tribute to the bass player Paul Chambers, [1] who had accompanied Coltrane for years. It first appeared on the album Giant Steps, where it was played with a fast swing feel. [2]
John Coltrane in Giant Steps (1960) Benny Green Quintet in Prelude (1989) Billy Harper in Live on Tour in the Far East (1991) Brad Mehldau in Introducing Brad Mehldau (1995) Allan Holdsworth in None Too Soon (1996) Kenny Garrett in Pursuance: The Music of John Coltrane (1996) Steve Kuhn in Countdown (1998) Brad Mehldau Trio in Brad Mehldau Trio ...