Ads
related to: cello etudes book pdflessons.com has been visited by 10K+ users in the past month
Search results
Results From The WOW.Com Content Network
It was his goal to write cello music that would teach other cellists how to bring the cello into all of the currents of modern popular music. Indeed, Minsky's etudes include the following genres: rock n' roll, blues, Latin, folk, country, hard rock, experimental, American waltz. They do provide a blueprint for a new style of cello playing.
The French text of 175 pages discusses in detail a wide range of aspects of cello technique, and is followed by 21 Etudes for two cellos, of various difficulty levels. The work has been translated into English and German, and is widely accepted as the most influential pedagogical work for the instrument.
Duport was a French cellist who, along with his brother Jean-Pierre Duport, revolutionized the performance of the cello. Only few of Duport's concert works are remembered today. [1] His Études for Cello, however, remain foremost in cello practice, despite being over 200 years old. They were primarily composed by Duport himself, although the ...
Sebastian Lee was a cellist and composed various works for the cello. In 1842, he composed his own book of études: Forty Melodic and Progressive Etudes for Violoncello. Sebastian Lee was mostly known as a virtuosic player and less so of a teacher; he did not directly teach anyone the études from this book.
Some cello etudes, while focusing on cello techniques, also focus on musical ideas. Some rise to the level of performance pieces. However, it is rare to find cello etudes programmed in recital. The last set of cello etudes which had such universal cellistic appeal was the "High School of Cello Playing" written by David Popper (1843–1913). [2]
Henrique Oswald (1852–1931): Trois Etudes pour piano, plus three independent études; Rafael Joseffy (1852-1915): School of Advanced Piano Playing; Moritz Moszkowski (1854–1925): three concert studies (Op. 24), Ecole des doubles notes (Op. 64), 15 Études de Virtuositié (Op. 72), 12 studies for the left hand alone (Op. 92), and 20 technical studies (Op. 91).