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The term is commonly used non-technically by English speakers to refer to sounds that subjectively appear harsh or grating. This definition usually includes a number of consonants that are not used in English, such as epiglottal [ ʜ ] and [ ʡ ] , uvular [χ] , [ ʁ ] and [ q ] , and velar fricatives [ x ] and [ ɣ ] .
The opposition between consonance and dissonance can be made in different contexts: In acoustics or psychophysiology, the distinction may be objective.In modern times, it usually is based on the perception of harmonic partials of the sounds considered, to such an extent that the distinction really holds only in the case of harmonic sounds (i.e. sounds with harmonic partials).
In the orthographies of Irish and Scottish Gaelic, most consonants including c have a "broad" vs "slender" distinction (palatalized) for many of its other consonants generally based on whether the nearest vowel is a o u or i e , respectively.
The sound of a hard g (which often precedes the non-front vowels a o u or a consonant) is usually the voiced velar plosive [ɡ] (as in gain or go) while the sound of a soft g (typically before i , e , or y ) may be a fricative or affricate, depending on the language.
Phonaesthetics (also spelled phonesthetics in North America) is the study of the beauty and pleasantness associated with the sounds of certain words or parts of words.The term was first used in this sense, perhaps by J. R. R. Tolkien, [1] during the mid-20th century and derives from Ancient Greek φωνή (phōnḗ) 'voice, sound' and αἰσθητική (aisthētikḗ) 'aesthetics'.
Alliteration is a special case of consonance where the repeated consonant sound is at the stressed syllable, [2] as in "few flocked to the fight" or "around the rugged rock the ragged rascal ran". Alliteration is usually distinguished from other types of consonance in poetic analysis and has different uses and effects.
Equalization curve lowering the decibels of an ess frequency range for a human voice. De-essing is a dynamic audio editing process, only working when the level of the signal in the sibilant range (the ess sound) exceeds a set threshold.
Other languages with these contrasts are Bai (modal, breathy, and harsh voice), Kabiye (faucalized and harsh voice, previously seen as ±ATR), Somali (breathy and harsh voice). [11] Elements of laryngeal articulation or phonation may occur widely in the world's languages as phonetic detail even when not phonemically contrastive.