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After the death of his father in 1975, Becker made by himself only 13 instruments. [7] [1] Much of his violin-making happened at the secluded cabin in Wisconsin by Lake Pickerel, where he worked in a studio over the garage and practiced muskie fishing. [5] [7] His time in Chicago was devoted to repairing and restoring violins. [5]
The origin of the violin family is unclear. [1] [2] Some say that the bow was introduced to Europe from the Byzantine Empire and the Islamic world, [3] [4] [5] while others say the bow was not introduced from the Middle East but the other way around, and that the bow may have originated from more frequent contact between Northern and Western Europe.
He made his first scientific exploration of the Colorado River in 1869, when Maud was two years old. [ 2 ] Around the age of 7, she began violin and piano lessons in Aurora , located in Kane County, Illinois , a western suburb of Chicago. [ 5 ]
[1] [2] Amati is credited with making the first instruments of the violin family that are in the form we use today. [3] Several of his instruments survive to the present day, and some of them can still be played. [3] [4] [5] Many of the surviving instruments were among a consignment of 38 instruments delivered to Charles IX of France in 1574. [6]
Occasionally, an adult with a small frame may use a so-called 7 ⁄ 8 size violin instead of a full-size instrument. Sometimes called a lady's violin, these instruments are slightly shorter than a full size violin, but tend to be high-quality instruments capable of producing a sound comparable to that of fine full size violins. The sizes of 5 ...
Orchestral violins, on the other hand, are commonly grouped in sections, or "chairs". These contrasting traditions may be vestiges of historical performance settings: large concert halls where violins were played required more instruments, before electronic amplification, than did more intimate dance halls and houses that fiddlers played in.
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The playing ranges of the instruments in the violin family overlap each other, but the tone quality and physical size of each distinguishes them from one another. The ranges are as follows: violin: G 3 to E 7 (practical, notes up to A7 are possible); viola: C 3 to A 6 (conservative); violoncello: C 2 to A 5 (conservative); and double-bass: E 1 to C 5 (slightly expanded from conservative estimate).