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Giclée (/ ʒ iː ˈ k l eɪ / zhee-KLAY) describes digital prints intended as fine art and produced by inkjet printers. [1] The term is a neologism, ultimately derived from the French word gicleur, coined in 1991 by printmaker Jack Duganne. The name was originally applied to fine art prints created on a modified Iris printer in a process ...
Digitally created art printed on canvas. A canvas print is the result of an image printed onto canvas which is often stretched, or gallery-wrapped, onto a frame and displayed. Canvas prints are used as the final output in an art piece, or as a way to reproduce other forms of art.
Splined canvas can be restretched by adjusting the spline. Stapled canvases stay stretched tighter over a longer period of time, but are more difficult to re-stretch when the need arises. Canvas boards are made of canvas stretched over and glued to a cardboard backing, and sealed on the backside. The canvas is typically linen primed for a ...
A print that copies another work of art, especially a painting, is known as a "reproductive print". Multiple impressions printed from the same matrix form an edition . Since the late 19th century, artists have generally signed individual impressions from an edition and often number the impressions to form a limited edition; the matrix is then ...
These were done during the time of selling at the Village Art Gallery, in Mendocino, California. The third group of reproductions were giclée or high-resolution inkjet prints that were done from about 1990 and afterwards. Some of the large sized prints were printed onto watercolor paper, making it more difficult to discern from an original piece.
Chromolithographs are considered to be reproductions that are smaller than double demi [clarification needed], and are of finer quality than lithographic drawings which are concerned with large posters. Autolithographs are prints where the artist draws and perhaps prints his own limited number of reproductions. This is the true lithographic art ...