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Romantic poetry is the poetry of the Romantic era, an artistic, literary, musical and intellectual movement that originated in Europe towards the end of the 18th century. It involved a reaction against prevailing Neoclassical ideas of the 18th century, [ 1 ] and lasted approximately from 1800 to 1850.
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
Russia: Golden Age of Russian Poetry – Aleksandr Pushkin, Mikhail Lermontov, Fyodor Tyutchev, Evgeny Baratynsky, Vasily Zhukovsky, Konstantin Batyushkov Serbia : Branko Radičević , Đura Jakšić , Laza Kostić , Jovan Jovanović Zmaj
The sonnet was a popular form of poetry during the Romantic period: William Wordsworth wrote 523, John Keats 67, Samuel Taylor Coleridge 48, and Percy Bysshe Shelley 18. [1] But in the opinion of Lord Byron sonnets were “the most puling, petrifying, stupidly platonic compositions”, [ 2 ] at least as a vehicle for love poetry, and he wrote ...
William Wordsworth (pictured) and Samuel Taylor Coleridge helped to launch the Romantic Age in English literature in 1798 with their joint publication Lyrical Ballads. In English literature, the key figures of the Romantic movement are considered to be the group of poets including William Wordsworth, Samuel Taylor Coleridge, John Keats, Lord Byron, Percy Bysshe Shelley and the much older ...
The Gulshan-i 'Ishq ("The Rose Garden of Love") is a romantic poem written in 1657 by the Indian Sufi poet Nusrati. [1] Written in the Deccani language, it combines literary and cultural traditions from India and Iran.
The popularity of the romance following Nizami's version is also evident from the references to it in lyrical poetry and mystical masnavis—before the appearance of Nizami's romance, there are just some allusions to Layla and Majnun in divans. The number and variety of anecdotes about the lovers also increased considerably from the twelfth ...
The theme of love as a playful, humorous game is developed though the flirtatious and lighthearted romance described. [30] Ovid's witty humor undermines the idea that the relationships with the women in the poems are anything lasting or that Ovid has any deep emotion attachment to the relationships. [30]