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The first conference entitled “The Woman as a Writer in Africa” was held at the University of Calabar auditorium in May 1981 and Ghanaian writer Ama Ata Aidoo was keynote speaker. The themes of 1982, namely "Literature in African Languages" and "Writing Books for Children", featured Ngũgĩ wa Thiong'o and Bessie Head as keynote speakers.
Research in African Literatures is a triannual peer-reviewed academic journal covering African literary studies. It was established in 1970 and is published by Indiana University Press . [ 1 ] The editor-in-chief is Kwaku Larbi Korang ( Ohio State University ).
As George Joseph notes in his chapter on African Literature [3] in Understanding Contemporary Africa, whereas European views of literature stressed a separation of art and content, African awareness is inclusive and "literature" can also simply mean an artistic use of words for the sake of art alone. Traditionally, Africans do not radically ...
Brittle Paper publishes original content submitted by authors, as well as commissioned reviews, interviews, essays, and other literary work. Having grown into "a thriving community of readers and writers interested in everything about African literature", [12] the blog is regarded as a major publicity platform for new books by African writers.
Decolonising the Mind is split into four essays: "The Language of African Literature," "The Language of African Theatre," "The Language of African Fiction," and "The Quest for Relevance." Several of the book's chapters originated as lectures, and apparently this format gave Ngũgĩ "the chance to pull together in a connected and coherent form ...
Africa Education Review; Africa Insight; Africa Media Review; Africa Renewal; Africa Research Bulletin; Africa Review of Books; Africa, Rivista semestrale di studi e ricerche, successor of Africa: Rivista trimestrale di studi e documentazione; Africa Spectrum; Africa Today; Africa Update; Africa Week; Africa Yearbook; Africa-Asia Confidential ...
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At the conference, several nationalist writers refused to acknowledge any literature written in non-African languages as being African literature. Ngũgĩ noted the irony of the conference's title, in that it excluded a great part of the population that did not write in English, while trying to define African literature but accepting that it must be in English. [10]