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The theme of God's "death" became more explicit in the theosophism [clarification needed] of the 18th- and 19th-century mystic William Blake.In his intricately engraved illuminated books, Blake sought to throw off the dogmatism of his contemporary Christianity and, guided by a lifetime of vivid visions, examine the dark, destructive, and apocalyptic undercurrent of theology.
Blake's myth surrounding Urizen is found in many of his works and can trace back to his experiments in writing myths about a god of reason in the 1780s, including in "To Winter". [13] In the work, Urizen is an eternal self-focused being who creates himself out of eternity.
The Book of Los is a 1795 prophetic book by the English poet and painter William Blake. It exists in only one copy, now held by The British Museum . [ 1 ] The book is related to the Book of Urizen and to the Continental prophecies ; it is essentially a retelling of Urizen from the point of view of Los . [ 1 ]
The prophetic books of the 18th-century English poet and artist William Blake are a series of lengthy, interrelated poetic works drawing upon Blake's own personal mythology. They have been described by 20th-century critic Northrop Frye as forming "what is in proportion to its merits the least read body of poetry in the English language". [ 1 ]
Most scholars however support Keynes, and All Religions are One precedes There is No Natural Religion in almost all modern anthologies of Blake's work; for example, Alicia Ostriker's William Blake: The Complete Poems (1977), David V. Erdman's 2nd edition of The Complete Poetry and Prose of William Blake (1982), Morris Eaves', Robert N. Essick's ...
The Poems of William Blake, ed. by W. B. Yeats, 1893, rev. 1905. The poetical works of William Blake; a new and verbatim text from the manuscript engraved and letterpress originals; With variorum readings and bibliographical notes and prefaces, edited by Sampson, John, Clarendon Press Oxford, 1905. The Note-book of William Blake, ed. G. Keynes ...
The Book of Thel is a poem by William Blake, dated 1789 and probably composed in the period 1788 to 1790. It is illustrated by his own plates, and compared to his later prophetic books is relatively short and easier to understand. The metre is a fourteen-syllable line. It was preceded by Tiriel, which Blake left in
For example, Damon argues that the death of the four unnamed daughters and the corruption of the fifth is Blake's first presentation of the death of the four senses and the corruption of touch, or sex; "all imaginative activity based on the senses disappears except automatic sexual reproduction. Even this proves too much for his moral virtue."