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The resolution of 960H depends on whether the equipment is PAL or NTSC based: 960H represents 960 x 576 (PAL) or 960 x 480 (NTSC) pixels. [29] 960H represents an increase in pixels of some 30% over standard D1 resolution, which is 720 x 576 pixels (PAL), or 720 x 480 pixels (NTSC). The increased resolution over D1 comes as a result of a longer ...
4096 × 2160, referred to as DCI 4K, Cinema 4K [58] or 4K × 2K, is the resolution used by the 4K container format defined by the Digital Cinema Initiatives Digital Cinema System Specification, a prominent standard in the cinema industry. This resolution has an aspect ratio of 256:135 (1.8 962:1), and 8,847,360 total pixels. [11]
In American cinemas, the common projection ratios are 1.85:1 and 2.40:1. Some European countries have 1. 6:1 [clarify] as the wide screen standard. The "Academy ratio" of 1.375:1 was used for all cinema films in the sound era until 1953 (with the release of George Stevens' Shane in 1. 6:1).
no standard no standard no standard no standard no standard 35 mm 2.50 with a 120° curved screen 0.931" × 0.698", with two half-images turned 90° and placed side-by-side spherical × 2 Cine System 3 [43] [44] Eric Berndt: 1960 USAF and NASA usage 3 mm 1 perf, centered spherical Grandeur 70 [45] 20th Century Fox: 1961 The King and I (re ...
The Digital Cinema Initiatives standard for 4K resolution; specification created in 2005 but not widely sold until 2014–15 [8] [9] 64:27 (2. 370:1) 2560×1080, 3440×1440 Used in some professional and gaming displays since the mid 2010s, roughly matches various anamorphic formats: 32:9 (3. 5:1) 3840×1080, 5120×1440
The original screen ratio for TV broadcasts was 4:3 (1.33:1). This was the same aspect ratio as most cinema screens and films at the time TV was first sold commercially. 1930s and 1940s films in 4:3, such as Gone with the Wind, have always been displayed on television in 4:3, filling the entire frame.