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The new versions of their Cadence songs were joined with their first hits on the WB label to form a new "Greatest Hits" album issued on WB, the album being the 1964 release "The Very Best of the Everly Brothers." [11] In re-recording their music, The Everly Brothers set a precedent that is still widely used in recording contracts today.
Greatest Hits is a compilation album by Bob Seger & the Silver Bullet Band, released in 1994. Certified Diamond by the RIAA, it is Seger's most successful album to date. In December 2009, Billboard and Nielsen SoundScan confirmed that with nearly nine million copies sold.
The National Recording Registry is a list of sound recordings that "are culturally, historically, or aesthetically significant, and inform or reflect life in the United States." [ 1 ] The registry was established by the National Recording Preservation Act of 2000, [ 2 ] which created the National Recording Preservation Board , whose members are ...
Seger's only #1 single on the Billboard Hot 100; it can also be found on Greatest Hits 2 (2003) and Ultimate Hits: Rock and Roll Never Forgets (2011). "The Little Drummer Boy" A Very Special Christmas: This Christmas song is also available on Ultimate Hits: Rock and Roll Never Forgets (2011). 1989 "Blue Monday" Road House Soundtrack
Television's Greatest Hits: 65 TV Themes! From the '50s and '60s is a compilation album of television theme songs released by Tee-Vee Toons in 1985 as the first volume of the Television's Greatest Hits series. It was initially released as a double LP record featuring 65 themes from television shows ranging from the mid-1950s until the late ...
[33] [34] Alan Lomax published it as "The Hound Dawg Song" in his book, The Folk Songs of North America (1960), and suggests that the song's origins date back to the 1880s. The song has been credited to 19th century African-American minstrel performer James A. Bland , although this version descends into "a goofy call and response barnyard ...
Multitrack recording (MTR), also known as multitracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole.
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